Fonte: The Times

CéU: Vagarosa

Brazilian music doesn’t come cooler than this. Bossa nova and trip-hop rhythms shimmer as the Sao Paulo singer purrs.

1 Céu - Vagarosa Urban Jungle/ Universal
Em seu segundo disco, a cantora foi ainda mais fundo nos climas e camadas musicais. A voz suave acaba se tornando parte fluida da instrumentação. A graça é ouvir como se o título fosse uma sugestão: sem pressa, caçando cada um dos muitos detalhes que surgem a cada audição. É uma complexidade gostosa de se desbravar.

Por Peter Margasak

1. Otto, Certa Manhã Acordei de Sonhos Intranquilos (Nublu)
2. Buika & Chucho, El Ultima Trago (Warner Music Latino)
3. A Hawk and a Hacksaw, Délivrance (Leaf)
4. Tinariwen, Imidiwan: Companions (World Village)
5. Mulatu Astatke & the Heliocentrics, Inspiration Information 3 (Strut)
6. Justin Adams & Juldeh Camara, Tell No Lies (Real World)
7. Warsaw Village Band, Infinity (Barbés)
8. Nils Økland, Monograph (ECM)
9. Staff Benda Bilili, Très Très Fort (Crammed Discs)
10. Lucas Santtana, Sem Nostalgia (YB Music)
11. Group Bombino, Guitars From Agadez, Vol. 2 (Sublime Frequencies)
12. Hassan Haffar, The Aleppo Suites (Institut du Monde Arabe)
13. Céu, Vagarosa (Six Degrees)
14. Amadou & Mariam, Welcome to Mali (Because/Nonesuch)
15. Rokia Traore, Tchamantche (Nonesuch)
16. Caetano Veloso, Zii e Zie (Universal, Brasil)
17. Culture Musical Club, Shime! (World Village)
18. Oumou Sangare, Seya (World Circuit/Nonesuch)
19. Mamane Barka, Introducing Mamane Barka (Introducing)
20. Bomba Estereo, Blow Up (Nacional)

O CD "Vagarosa" está relacionado entre os 5 melhores lançamentos em World Music de 2009 pela BBC de Londres.

Leia aqui: BBC Music's Best Albums of 2009

Leia a matéria aqui: Best of ‘09: Indie Heart & Electro Beat

com as participações de Nereu do Trio Mocotó (Coro/Pandeiro), Anelis Assumpção e Iara Reno (Coros), Regis Damasceno (Baixo), o fiel escudeiro Loco Sossa (MPC Samplers) e .... Jorge Ben.

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Por David Honigmann
***

“Don’t take yourself too seriously, pa-pa-pa-pa-pa-papa used to tell me … ” The Brazilian tropilectro singer Céu clearly took the advice to heart.
Familiar Brazilian tropes, from languid samba to wild whirling horns to sleazy organ flirtations, are distorted and made strange. The opener, “Sobre O Amor E Seu Trabalho Silencioso”, starts as a duet for voice and cavaquinho, but ends submerged in the crackle of old vinyl; dub textures slip and slide; blitches and gleeps bubble up under the most fragile of melodies.

"Céu's Vagarosa is wonderfully classy music - at once other-worldly and knowing. "
Cotação: * * * * *

By Mark Hudson

"An album of immense subtlety and constantly surprising contrasts."

Colin Irwin

It’s impossible to talk about Céu without invoking the names of Astrud and Bebel Gilberto.

Yet, while she may be Brazilian and is clearly in thrall to the samba and bossa nova heritage indelibly associated with those artists, Céu – Maria do Céu Whitaker Poças to give her the full name – draws her inspiration as much from the modern urban vibrancy of São Paulo’s thriving independent scene as Brazil’s sensuous musical history.

This second album is far more ambitious and challenging than its 2005 predecessor, distancing itself boldly from coffee table ambience to incorporate some seriously edgy instrumentation and production techniques courtesy of producers Beto Villares and Gui Amabis and engineer Gustavo Lenza, who keep the album crackling along with an inventive undercurrent of atmospheric soundscapes and technical trickery.

She’s a sublime singer – that’s almost a given – but her eagerness to go beyond her comfort zone and embrace visionary production ideas, as well as some exciting instrumentalists and particularly vivacious rhythms (notably by Pupillo and Dengue of acclaimed Brazilian band Nação Zumbi) is what helps to decimate genre boundaries and give the album real crossover appeal.

The title is translated from Portuguese as “easygoing”, but while Céu herself sounds blissfully chilled throughout, the sparks fly around her. A wonderfully evocative organ growls menacingly among the choppy rhythms of the slightly spooky Cangote, while wah wah guitars add further intrigue to the funky mix of Comadi and drum loops, samples, multi-tracked vocals and scattered snatches of electronica suddenly appear among horns and intoxicating percussion to keep you guessing where it will all go next.

It’s an album of immense subtlety and constantly surprising contrasts. Circus organ duels with electric guitar on Ponteiro, she celebrates the birth of her own daughter with an almost spiritual cover of the Jorge Ben classic Rosa Menina Rosa and uses guest artists to memorable effect, notably Luiz Melodia, who almost steals the album duetting with Céu on the melancholy slow samba Vira Lata.

It oozes class and is Brazilian to the core yet, surreptitiously and almost imperceptibly, guides it to a whole new place.

Por Robin Denselow

"Ever since the glory days of Bossa Nova, Brazilian music has been something of a battleground. On one side, there have been pleasantly easy-going samba stars such as the massively successful Maria Rita; on the other the experimental tradition of Tropicalia, the Mangue Bit movement, or the electronica of São Paulo's Suba. Céu is remarkable for the way she has brought all the strands of her country's music together in a glorious new fusion. Her songs are often breathy, laid-back and sensual, but her breezy vocals are matched by often startlingly brave and adventurous arrangements. She starts with a simple, charming song backed by minimalist cavaquinho, then eases into tracks that involve funky and inventive use of electronica or elaborate brass arrangements. So the charming Ponteiro matches a sturdy melody against quirky organ work, the witty Papa (her one song in English) is cleverly dressed up in a jazzy setting, and the cool, drifting Comadi matches her fine vocals against a slinky bass line and cool keyboards. This is the finest Brazilian album of the year."

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Em sentido horário: Gustavo Lenza, Guilherme Ribeiro, Lucas Martins, DJ Marco, Céu e Bruno Buarque